A Zanzibari woman named Hadigya, with a warm, patient smile, has given me my third back massage in five days here at Kendwa, a beach town on the island’s northwestern tip. She uses lemongrass-scented oil, and this time, cool water to soothe my sunburn.
During the massage I thought, it’s the Zanzibar outside of the border of the postcard that I love. It’s the healing hands of Hadigya. And the conversation with the waiter Haz this morning about his life on the island—the way his eyes teared up when he told me how beautiful his three-year-old daughter is and how she can’t get enough chocolate. And the cats everywhere. They seem to belong to the buildings rather than the people, lying long and lanky in a slice of shade created by a step or a wall.
Every evening at sunset in Stonetown, the island’s largest city, a group of teenage boys takes turns racing full speed at the cement ramparts that separate the land from the sea. They jump over the barrier and dive, flip, bellyflop, cannonball, or twirl into the water. As they launch into the air, their arms and legs flail wildly. There is usually no attempt at grace or form. It’s the happiest display of diving I’ve ever seen. They don’t ask for money from the crowd that gathers. They’re just plain having fun, playing with the rim of this island that’s their home.
Stonetown’s alleyways and streets are slender and serpentine, and it’s a pleasure to see where they lead. It’s never anywhere that spectacular, but there are small surprises: A group of young, veiled Muslim girls playing on a stone wall, laughing, being tomboys. The frame of a wooden door so carved with flowers and Arabic script that no smooth surface is left. An old man sitting the shade who greets me with “Karibuni,” (welcome).
We came to Zanzibar just in time for the Sauti za Busara music festival, a five-day celebration of African sounds that brings artists from all over the continent. A couple nights ago we saw a 90-something-year-old woman named Bi Kidude sing traditional taarab and unyago songs. Taarab is a Swahili genre that’s extremely popular on Zanzibar and often performed by a full orchestra at weddings. Unyago is associated with female coming-of-age ceremonies. The music’s rhythms are said to teach women how to please their husbands (in bed). Bi Kidude, who is so old she doesn’t even remember what date she was born, sang with passion and zest. The entire crowd gravitated toward the stage to take pictures of this still-burning star.
In a way, Bi Kidude is a perfect representative of Zanzibar, an island that’s so ancient and rich with stories that it’s become a kind of legend. But it’s not a two-dimensional postcard. It’s still very alive. It’s a bit dirty. It’s hot. Teenagers go wild at night. Old women sing sultry songs. And I never want to leave.